Kazuo the band leader gave me a call about a week ago. He asked me if I wanted to participate in the project at Guggenheim Museum in New York with Richmond County Orchestra. He also asked me to play the contrabass but not the cello. I play the contrabass in small ensemble setting regularly but nowadays I only play the cello with orchestra. Just because I could play the contrabass in an orchestra, I canceled a gig in Boston and decided to stay in New York for it. Three of the members of WaFoo participated in this project: Kazuo (principal contrabass), Yuuki (flute) and me, Ippei (contrabass).
リハーサル風景 Rehearsing |
The name of the project is "NY 2022;" This avant-garde play is based on the movie "Soylent Green" (1973). The year is 2022, New York is extremely populous with 40 million people, short of food, housings, electricity and what not. The story is about the people who live in such dystopia in the near future.
劇の冒頭部に登場する自転車型の発電機 The bicycle-type generator which appears on the beginning of the play |
Two words: avant-garde. The stage direction was really out. I have worked in theaters quite a bit and have seen and played in lots of productions. I would say this is the most avant-garde play I have ever performed for. Frankly speaking, I can not say I understood every bit of it. Principal Miyata of Tokyo University of the Arts once said "you don't need explanations for this kind of thing." Tokyo University of the Art is the top art school in Japan and Mr. Miyata has much experience and knowledges in avant-garde arts. I chose not to write what was different and strange from ordinary because I do not think I have ability to report this whole setting accurate enough and am afraid that I may mis-convey the producer's message.
本番前の楽屋 The green room right before the performance |
Just one art work or one concept sometimes changes drastically the arts which follow. Picaso's "The young ladies of Avignon," Miles Davis' "Kind of Blue," Sen no Rikyu's Wabi-cha, etc. etc. Preserving and developing traditions is important, but at the same time, breaking out of the mold of convention is as important. I have learnt a lot from this project.
Performers from WaFooKazuo Nakamura (Contrabass - principal) Yuuki Koike (Flute) Ippei Ichimaru (Contrabass) |